Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Monday, April 23, 2012

T: Timeline & Testosterone

Timeline by Michael Crichton
Genre: historical, SF, suspense/thriller




General premise A group of archeology students goes back in time to rescue their professor from 14th century France, and find out that medieval times were even more brutal and ruthless than they’d thought.

It’s a typical Michael Crichton book – brilliant scientists with little common sense, backed by corporations with dollar signs in their eyes, and a bunch of well-meaning, highly-educated people stuck in the middle. Crichton is pretty much the only author I admire who did zero character development. At least, that’s what I remember of his books – thrilling stories, cardboard characters.
Gerard, looking hot
and mysterious.

I saw the movie first. It was terrible. It shouldn’t have been – I still don’t get how they messed this up. BUT. The premise was so intriguing that I thought, “I’ll bet the book is just incredible.” And it was my introduction to Gerard Butler, looking ridiculously hot in 14th century period costume. J

There’s a jousting tournament in the book, so I’ll put in a quick plug here for the History Channel reality TV show Full Metal Jousting. It’s exactly what it sounds like – a bunch of guys competing in a modern-day jousting tournament for $100k. When I first heard of it, I thought, “You can’t be serious!”

And then I immediately set the DVR to record it.

I loved it. The guys came from all sorts of active backgrounds – one firefighter, one polo player, a couple of marines, a couple of rodeo cowboys, and then a handful of horse trainers, show jumpers, and a whole bunch of Medieval Times knights. That last bunch, oddly enough, were apparently at a disadvantage, because even though they were the only ones to have handled a lance before, theatrical jousting is not about eliminating your opponent. It’s about looking great in a saddle and falling dramatically out of it without getting hurt. They had to unlearn how they sat, how they held the lance, what to do when they got hit.

The horses were awesome. So gorgeous. So much personality. They ranged from those that were dependable but kind of staid, to those that took off like bullets, but constantly fought their riders for control.

And I loved the modern take on medieval armor.
 
Speaking of “manly men”…

Testosterone on This American Life
Genre: radio


This American Life is hosted by Ira Glass, one of the best story creators of our time. I don’t know of anyone else doing quite what he does. His radio show puts stories together around a theme for each episode. I’ve heard Ira Glass speak live twice, I’ve listened to This American Life for years, but it wasn’t until I tried to analyze how they put together such enthralling stories around usually-normal situations that I truly began to appreciate his genius, and the subtlety of it.
 
I could spend all day recommending specific TAL episodes, but for “T” I’ll stick with Testosterone. The First Act was an interview with a man whose body stopped producing testosterone for four months before the doctors figured out what was wrong with him. He talks about how lack of testosterone meant lack of desire for anything. And how unexpectedly pleasant it was, because if you don’t want anything, then you don’t psychologically want for anything.

Act Two was about Griffin Hansbury, who started out as a woman, but got testosterone injections and now lives as a man. This one’s particularly interesting, because you can hear the interviewer’s horrified fascination as Hansbury “confirms” pretty much every stereotype you’ve ever heard about men vs women, and, as the interviewer puts it, sets gender relations back about a hundred years. I put “confirms” in quotes because the testosterone injections meant that for a while, Hansbury (who is 5'4" and smallish) was walking around with the testosterone levels of two linebackers, and so I’m assuming the effect was somewhat exaggerated. Hansbury talks about everything from the change in his interest in science to how hard it is to concentrate around women. But he also talks about how he’s gone from being this really cool woman everyone admired to being a nerdy-looking guy who’s now caught up in this very male fight for dominance every time he steps out on the street.

Act Three follows the staff at TAL after they decided to get their own testosterone levels tested for the show. First they ranked each other, guessing who would have the highest levels. Everyone agreed on which woman would have the highest (except that woman), but for the guys it was a toss-up, because they each had traits that tend to go with high testosterone (one of them created the show and was the boss, one of them was muscular and balding, one of them played lots of sports, etc), but none of them considered themselves to be “manly men” (like NFL football players or whatever). And as the day of the results grew closer, more and more of them agreed that this had been a terrible idea and it would forever change the way they related to each other – but they still wanted to know who “won”.

Wednesday, April 18, 2012

P: The Pillars of the Earth & Prison Break

The Pillars of the Earth by Ken Follett
Genre: historical




Calling this an unusual book is a bit of an understatement. Ken Follett was already immensely popular for his political thrillers. And then he changed tracks, bringing everything about his previous books (fast-paced suspense, a deep understanding of human nature, unflinching violence, intricate political and family intrigue) to a book about building a 12th century cathedral. It's been on bestseller lists ever since. Who would have thought?
I’ll quote the Goodreads description:
This book tells the tale of a twelfth-century monk driven to do the seemingly impossible: build the greatest Gothic cathedral the world has ever known.

Everything readers expect from Follett is here: intrigue, fast-paced action, and passionate romance. But what makes The Pillars of the Earth extraordinary is the time—the twelfth century; the place—feudal England; and the subject—the building of a glorious cathedral. Follett has re-created the crude, flamboyant England of the Middle Ages in every detail. The vast forests, the walled towns, the castles, and the monasteries become a familiar landscape. Against this richly imagined and intricately interwoven backdrop, filled with the ravages of war and the rhythms of daily life, the master storyteller draws the reader irresistibly into the intertwined lives of his characters—into their dreams, their labors, and their loves: Tom, the master builder; Aliena, the ravishingly beautiful noblewoman; Philip, the prior of Kingsbridge; Jack, the artist in stone; and Ellen, the woman of the forest who casts a terrifying curse. From humble stonemason to imperious monarch, each character is brought vividly to life.

The building of the cathedral, with the almost eerie artistry of the unschooled stonemasons, is the center of the drama. Around the site of the construction, Follett weaves a story of betrayal, revenge, and love, which begins with the public hanging of an innocent man and ends with the humiliation of a king.

At once a sensuous and endearing love story and an epic that shines with the fierce spirit of a passionate age, The Pillars of the Earth is without a doubt Ken Follett's masterpiece.


Prison Break
Genre: television



Lincoln Burroughs, already a felon with a lengthy record, is accused of murdering the vice president’s brother and incarcerated at Fox River Penitentiary. The evidence is clear (fingerprints on the gun, surveillance video, bloody clothes), and his execution is fast-tracked through the system. His younger brother, Michael Scofield (a brilliant, successful, and squeaky-clean structural engineer), believes Burroughs is innocent and is being framed for the murder of someone many high-powered people wanted to kill.
So Scofield comes up with an elaborate plan to break his brother out of prison, has the plans (and the blueprint for the state penitentiary) worked into a tattoo that covers his entire upper body – and then holds up a bank and discharges a weapon, to ensure that he ends up in the same place as his brother.

Because one can't have too
many pictures of
Wentworth Miller. :)
This show has some of the best antagonists/villains I’ve ever seen. I love John Abruzzi the crime boss (played by Peter Stormare), and Robert Knepper does an amazing job as Theodore “T-Bag” Bagwell. I love how Scofield’s ridiculously well-laid plans keep taking left turns as he meets up with real-world complications, and as the number of people breaking out of prison with him gets larger and larger.
This show has many things I eat up in fiction – ensemble cast, politics, intrigue, humor, wit, and super-smart people on opposite sides of the same issue. It won a stack of awards while it was on air. The second and third seasons were filmed in Texas. Lots of celebrity sightings around here. J