A to Z April Challenge

Because I can't help myself sometimes...

The challenge is to blog every day in April (except for most Sundays) and follow a theme: A on April 1st, B on the 2nd, etc. Mine will all be good books (and movies and tv shows and maybe even radio shows).

I'll probably start with An Abundance of Katherines by John Green, and end with....well, Goodreads says the only "Z" book I've read is The Zucchini Warriors by Gordon Korman. Since it's unlikely I'll read anything about zombies between now and April, that may very well be it.

In the meantime, I need books beginning with Q and X. Any recommendations?


The challenge had 100 participating bloggers in 2010. They had nearly 1300 in 2011. Sign up at the A To Z April Challenge web site...

February reading

First television, since all the shows I'm currently watching (except Top Shot) are at or near their season finales, and these shows have a connection to the books I'll discuss:

Downton Abbey

Brought to us here in the USA by PBS/Masterpiece Theater. I was getting a little worried about Downton Abbey, Season Two. I may even have fast-forwarded through the episode where a guy showed up claiming to be the Titanic-lost heir.

I don't mind when people act out of character in any story, as long as it leads to them being more interesting as characters, rather than less. For instance, O'Brien, the lady's maid to Lady Grantham, is an unbelievable schemer. She's much nicer this season, and you can trace it directly back to when she erroneously thought Lady Grantham was planning to get rid of her, and did something horrible she's now plagued with guilt over. This also leads to conflict with Thomas the footman, who used to be her ally in all their plots for advancement, because he has no idea why she's suddenly found a conscience.

I understand why O'Brien and Lord Grantham have changed, but not why Mary or Isobel have. I was worried that several characters were dangerously close to becoming cliches I'd prefer not to see in such a...well, masterpiece. :) Fortunately the show is still fascinating, and I'm looking forward to Season Three.

I'll admit that the acerbic dowager countess is now my favorite character (I didn't have a favorite in Season One, because so many of the characters were so delightfully entertaining and flawed), and I'm finding Bates only slightly less irritating than I did last season. There's nothing more annoying than people who choose to be altruistic by hurting everyone who cares about them. There's nothing selfless about that.

Which is not to say I want him to be different. I've said it before - I don't need to like characters to find their situations fascinating. Playing Bates the valet against Thomas the footman (who is just one big steaming pile of self-interest) makes for good storytelling.

And Parenthood. People who know me may find my loving this show to be rather out of character, but I don't think it is. I don't have or want children, I tend to avoid traditional family get-togethers, and crowds involving 5 to 50 people make me nervous (smaller or larger is mostly okay). But I love Parenthood, for some of the same reasons I love Downton Abbey and Julia Quinn's Bridgerton series. Large families are the biological equivalent of boarding schools and medieval castles as far as storytelling goes. Lots of people with different goals are around each other all the time = great setting for conflict = a good story (which is obviously not the same thing as "story I want to live in real life").

My favorite character in Parenthood is Adam Braverman, the eldest, most responsible sibling who -pretty much - always does the right thing. Which is interesting, because the eldest, most responsible sibling was my least favorite of the Bridgerton siblings (not that big a deal, I liked them all, I just liked Francesca and Colin the most).

Books! After re-reading a crazy number of books, I finally picked up something new (to me).

The Way of Shadows by Brent Weeks
Genre: fantasy

Azoth wants to escape his hellish life in the slums, stealing to pay dues in a street guild where he and his closest friends are terrorized and abused. After mistaking the wetboy Durzo Blint (P4: A wetboy was like an assassin – in the way a tiger is like a kitten) for a kind-looking man, Azoth begs to become Durzo’s apprentice, and enters a world of politics and magic where the dangers are bigger and further-reaching than anything he ever imagined in the slums.

I expected it to be good, and it was. It had many things I love - political intrigue, magic, people who are really good at what they do, impossible choices.

It also had the longest final battle sequence I think I've ever read. After wading through 200 pages or so of blood and gore before reaching "The End", I curled up into a small ball under the covers and whimpered through a minor breakdown over why people are so mean to each other and why we can't just get along.

I know this stunning amount of violence is the direction fantasy is heading (along with many if not most other genres). Brent Weeks is a brilliant writer, one of my favorite authors, repped by my favorite literary agency (because they rep several of my favorite authors), which means I plan to read everything he writes. But because I was expecting violence on the level of The Black Prism (which he wrote after the Night Angel books, and which you should read IMMEDIATELY, if you haven't already) I was a bit stunned by this. I read fantasy despite the violence, not because of it. And I get grumpy when my favorite character is killed.

So I figured I'd take some recovery time, and look for a book I'd been meaning to read for a while, a regency romance with magic in it, and more importantly, no killing.

I went looking for that book, and instead stumbled on

To Love a Thief by Julie Anne Long
Genre: Regency Romance

I think what drew my attention was that the blurb seemed so similar to another book I read and liked recently: Law-enforcing aristocrat falls in love with hot criminal. But in this case, Gideon's plan isn't to reform Lily into a non-criminal so much as to use her talent for making herself whatever she wants to be. He wants her to become a lady, and make the woman he really wants jealous.


Folks, I think I may have just found a new favorite Regency Romance author (along with Courtney Milan, Julia Quinn, and Tessa Dare). I love, love, love Julie Anne Long's voice. Lots of wit, humor, setting, adventure. Not to mention similes and metaphors that do exactly what they should do: emphasize their point rather than distract you from it.

 I'd intended to read To Love a Thief and then read Shadow's Edge by Brent Weeks, but somehow I found myself reading

The Perils of Pleasure by Julie Anne Long
Genre: Regency Romance

Madeleine Greenway is a mercenary who can retrieve anything someone's lost (e.g., if you gave your wife's necklace to your mistress by mistake, and need it back asap). She's been paid to retrieve Colin Eversea from the gallows, and does so at the very last moment, using explosions and a riot. But when she takes him to the drop-off point, someone tries to kill her.

I'm not crazy about the cover, but I love the writing:

P84 quote:

“He had one of those chins what…” One of the innkeeper’s hands went up to squeeze his chin into two little folds. “…a chin what looks like an arse.”
“A chin dimple? A cleft?”
“Not cleft so much as dented, Mr. Eversea. And blue eyes. Went nicely with his costume.”
Dumbstruck silence followed this observation.
The innkeeper sighed. “It’s me wife. If ye gets yerself a wife one day, Mr. Eversea, ye’ll come ou’ wi’ things like that, too, mark my words, mark my words. ‘This matches wi’ that or with this,’ and so on. They talk like that, women do. She makes me look a’ things and give opinions. She’ll turn me into a girl yet.”
This seemed unlikely, but all Colin said was, “Blue eyes and an arse chin. Thank you, that’s very helpful, Mr. Croker.”

P323 Quote (after a group of soldiers have just been ambushed and disarmed by the criminal they were chasing)

Their three muskets lay in a row on the ground like fallen comrades.

And then I stayed up until 5:30 this morning reading the third book and trying not to giggle (or sniffle) too loudly, while my long-suffering husband pretended to sleep through it:

Like No Other Lover by Julie Anne Long
Genre: Regency Romance


I really, really like the heroine of this book.

Cynthia Brightly has committed the unforgivable sin for the belle of the London season. Her rich, titled fiancé breaks off the engagement, and no one in society will receive her, except her friend Violet. She retreats to Violet’s country home, with only five pounds to her name and nowhere to go, determined to use this last house party to find a husband before the scandal catches up with her.

Miles, Violet’s brother, was utterly dismissed by Cynthia while she was still the most desirable debutante. Now that his older brother has disappeared and Miles is the heir to the Redmond fortune, he delights in putting Cynthia in her place. Except things don’t go quite as planned, and he finds himself offering to help her find the husband she needs – in exchange for a kiss.

P10 Quote (after Miles overhears Cynthia (who he's been drooling over) say something really cruel about him to someone else):

The shock, when it arrived, was unnatural and nasty: as though a butterfly had landed on his wrist only to sink fangs into it.

P41 Quote:

The room exhaled Redmond wealth and history and comfort; the way a church always seems to exhale peace and prayers.

With these books I realized I may have just stumbled onto another series based on a family (see, there is a tie-in to all those tv shows). Not just one family, but two feuding ones, the Everseas and the Redmonds. I really, really hope that's the case. Nothing bores me more than cookie-cutter villains, and if the Pennyroyal Green series actually follows two large families, making them heroes of their own books, which makes the other family the villain, then I'm hooked.

So now I'm reading Shadow's Edge, and trying to decide whether to also go on to the third Pennyroyal Green book. I probably will. Along with the book I originally went looking for,

Shades of Milk and Honey by Mary Robinette Kowal....
Genre: umm...Regency fantasy?

Random Day: January Books

You know how they say if you have a question, ask; because probably ten other people have the same question and are just too embarrassed to admit it? Don't. I was in a class today, and a hexadecimal question cratered my brain. So I asked for clarification, and the instructor wanted to know who else was confused. Turns out the class has seven engineers and two math tutors. I guess I'm the comic relief.

Moving on...

I read some amazing books last month, and I wanted to bask in the euphoria a little longer, so rather than try new books, I just reread old ones that I already love. Silly; I know. On the other hand, I tried a new movie and wished I hadn't. The movie is based on a totally hilarious book, but it seems the screenplay writer didn't actually get the appeal of the book. I'm assuming it didn't last much beyond opening weekend.

So on to the stuff I did like!

The Fault In Our Stars by John Green
Genre: YA

I know this is THE book John Green's been writing for something like a decade. But for me, THE John Green book will always be An Abundance of Katherines, a book I love so much that I hand-pimp it to anyone who talks to me for more than eight minutes, yet which I identify with so personally that I can't even write a blog post about it.

But I can see the brilliance of The Fault in Our Stars. I liked the characters. Yes, even the flawless love interest. I don't get the appeal of "manic pixie dream girls" who pepper stories written by men ( Zooey Deschanel, who is amazing, plays that role a lot. Weeds, 500 Days of Summer, and to a lesser extent The Hitchhiker's Guide to the Galaxy and New Girl, from the 2.5 episodes I saw), but I do get the appeal of the hot, cheerful boy who always says unbelievably witty, brilliant things with perfect timing. That version of unrealistic love interest doesn't come up nearly often enough. In fact, the only other examples I can think of are all womanizing rakes from regency romances, a character trope I despise.

I'm babbling about Deschanel and regency rakes in order to avoid talking about The Fault In Our Stars. Because it's about kids dying of cancer. It's amazing. I cried and I laughed and I felt awful for laughing. I know many people have lived this story in their own painful, unique way. I think only John Green could have written about it like this.

The Night Circus by Erin Morgenstern
Genre: literary/magical realism

Celia and Marco have trained their entire lives for an epic duel set up by their instructors, and the black-and-white Night Circus is the magical battle field. Despite their growing love for each other, leaving the fight is physically impossible, and only one of them can win.

This is one of very few books I've read that hurtled towards such a terrible ("terrible" as in "depressing", not "badly-written") end that I couldn't even begin to imagine how the author would resolve it. And then she did, and it wasn't tragic or ridiculous or eye-roll-inducing. It just made perfect sense. The world-building was amazing. And the magic seems to have no discernible rules, and yet feels completely believable.

Tangent: I've heard a lot about the tortured artists who supposedly make up the bulk of the writing world, the people who suffer for their craft and whatnot. I have to say Erin Morgenstern is my idea of what a writer would be if I were making one up. She's quirky and adorable and takes cool pictures and says cool things and does cool stuff. Authors tend to be very...normal. Which is not at all surprising. It just doesn't fit with the popular narrative. Oscar Wilde and J.D. Salinger and the like were so unusual that they've come to define what people picture when they think "writer".

The Future of Us by Jay Ashby and Carolyn Mackler
Genre: YA

It's 1996, and Josh gives Emma an AOL cd so she can log on to the internet. Except once it's installed, it logs them on to Facebook, fifteen years in the future. From the updates, they can see that 2011-Emma hates everything about her life (with good reason), and 2011-Josh is rich, successful, and married to the hottest girl in school. Emma's determined to change her future, but everything she does changes Josh's future, too, and he's not happy about it.

I'm so glad I've found another book by two authors! There's another I want to write about, and I couldn't think of any books to recommend along with it. I'll leave discussions of the merits/issues in this book to other reviewers, but I thought the concept was fascinating. I graduated from high school at the same time as the kids in The Future of Us, so the nostalgia factor totally works for me. I'm not sure who the target market is, though - one of my friends is in her early twenties, and was completely unmoved by the premise, which makes sense to me. I can only assume teenagers would feel even more so. But the book definitely reads like YA. On the other hand, I loved Ready Player One, and I certainly don't remember the 80s.

Okay, here's a list of all the books I reread this month:
The Cloud Roads by Martha Wells
The Demon's Lexicon by Sarah Rees Brennan
The Demon's Covenant by Sarah Rees Brennan
The Demon's Surrender by Sarah Rees Brennan
Lion of Senet by Jennifer Fallon
Eye of The Labyrinth by Jennifer Fallon
Lord of the Shadows by Jennifer Fallon
The Hunger Games by Suzanne Collins
Catching Fire by Suzanne Collins
Mockingjay by Suzanne Collins
Among Friends by Caroline B Cooney

All speculative fiction or YA. Well, Among Friends would probably be sold as middle grade now. I'll have to do a post on Among Friends at some point. It's crazy, going back to that book 22 years after I first read it, and seeing how much my sympathies with specific characters have changed now that I have an adult perspective.

Best World Building

I had planned a second post on the spectacular world of The Cloud Roads. But since I've finished reading The Serpent Sea (and yes, I love and highly recommend it), which takes place in the same world, I'll cover this one instead.

The Serpent Sea by Martha Wells

Genre Fantasy

How it starts The court is moving on air ships (not like steampunk dirigibles - these have sails, and their flying mechanism isn't... mechanical) to their new home. Moon is strolling across the deck and getting dirty looks from some of the warriors, who hate that a feral consort now has such an important place in their court. He's still recovering from having his body broken in a fight, but tries to look tempting so they'll attack him and he can beat the crap out of them.

General premise The Indigo Cloud Court arrived at their ancestral home, a gigantic mountain-tree, to find that the tree is dying because the seed has been stolen. Only someone who understood the tree could have done such a thing, and Moon feels conspicuous as rumors fly about a feral solitary (like himself) betraying the court. If the tree dies, the court will have to move again, and they have nowhere else to go. Afraid of embroiling himself and his queen in more political squabbles he doesn't understand, Moon is happy to set out to recover the seed. As the only one who has lived among outsiders, he's included in a team led by his queen and comprised of the old consort who found him, his mentor-turned-warrior friend who's also an outsider at court, and several of his rivals.


Page 13 quote

Moon leaned over the railing and tried to see the ground, but it was hundreds of paces down, lost in the shadows. Not far below the ship he could see platforms covered with greenery standing out from the trees and completely encircling the trunks, connecting the trees to each other in a web, many more than large enough for the Valendera to set down on. They looked like tethered chunks of sky-island, covered with grass and flowers, dripping with vines, most supporting glades of smaller trees. But as the ship drifted closer to one, he saw the platforms were thick branches that had grown together and intertwined in broad swathes, catching windblown dirt and seeds until they built up into solid ground.

Page 2 quote from The Cloud Roads

Hac looked like a typical Cordan: short and stocky, with pale gray-green skin and dull green hair. Most Cordans had patches of small glittering scales on their faces or arms, legacy of an alliance with a sea realm sometime in the history of their dead empire. On some of the others, especially the young, the effect was like glittering skin-jewelry. On Hac, it just looked slimy.

Best world-building

I love that this world seems to be based on the animal kingdom rather than on human history. Inhabitants have blue or green or bronze skin, hair or feathers or scales (or all three), and live everywhere - in hives, on the ground, in the sea or the sky, and in one striking case, in a rotating city built on a giant wheel turned by a waterfall. The author makes the varied creatures of her world believable and relatable. Based on the cover illustrations I imagine them as humanoid-ish, but I don't know if that's what she pictured.

Usually when I'm bowled over by a fictional world, it's because of the intricate and original political/cultural structure. And these books definitely have that - the Raksura courts seem to be based on colony-dwellers like ants or bees, with a powerful queen, warriors, consorts, and various types of workers, all different sizes and abilities when in their altered (winged or climbing) forms. But I was left breathless by the physical world and its brightly-colored beauty.





The scenery's so lush and gorgeous. It brought me back to that awed longing I felt when I read Enid Blyton books as a kid, or watched cartoons involving fairy rings and toadstool houses or Wind-in-the-Willows-style panoramic views. Having lived in deserts all my life, visiting Sweden brought this same feeling - as if people shared enchanted space with nature rather than beating it into submission, or being beaten by it.

rainy pond in a Swedish city

Except the parts of Sweden I've seen are really, really green, while the world in these books is vibrant with all colors of the rainbow: flocks of flighted lizards in blues, golds, and violets that flutter away when startled; flurries of tiny yellow frogs that play in waterfall spray; flying islands covered in crumbling ruins that contain abandoned libraries of disintegrating books, overrun by wild vines.

stone bridge in Sweden

Anyway, non-earth-based worlds weren't uncommon in books I read in middle and high school. They tended to be science fiction, with FTL flight and a universe teeming with non-humanoid aliens, both of which seem to be making a comeback in science fiction after disappearing behind generational ships, worlds populated with humans who originally came from earth, and most recently, humans who never left earth at all.

I think it's a good thing fantasy moved away from LotR-style magic that seemed to be able to do everything and yet never actually did anything. But the other extreme is magic that's so much like science that people are afraid to play with it, and so we get minor variations on the same traditional magic over and over and over, until now I'm actually surprised when I come across fantasy that reads like a whole new world, rather than like medieval Europe with some of their less-interesting superstitions come true (vampires, werewolves, witches, what have you).

Thank you, Martha Wells.  I hope this isn't a trilogy. I hope you keep these books going forever.

More books with nontypical, excellent world-building:

The Night Circus by Erin Morgenstern
Genre: magical realism/historical

Celia and Marco have trained their entire lives for an epic duel set up by their instructors, and the black-and-white Night Circus is the magical battle field. Despite their growing love for each other, leaving the fight is physically impossible, and only one of them can win.

Currently reading this. It's definitely earth-based, but the magic is so free of constraints that I have to just marvel at how coherent Morgenstern makes it all. It's a lush, achingly beautiful book.





Avatar directed by James Cameron
Genre: SF/F movie

Yes, I know it's fashionable to hate this movie, but I love it. The story's not particularly original, but the way it's told certainly is. My husband's done over 600 scuba dives, and says there's nothing original about the Avatar world, either. But for those of us who prefer our water in a glass or a shower, and prefer our fish...well, elsewhere, bringing the underwater world to the surface was just magical.



Old Man's War by John Scalzi
Genre: science fiction

I just about cried when I read this book (I DID cry when I read the second one, The Ghost Brigades). It was like revisiting the classic SF I'd loved as a kid, where people hopped from one planet to another, where authors took the swashbuckling of the high seas and transferred it to outer space. Perhaps the world-building here isn't unique in the sense of Martha Wells's books, but it is fascinating.






And while we're on science fiction that's a throwback to the older stuff, I'll go ahead and recommend
Orphanage by Robert Buettner
Genre: science fiction

This is like Old Man's War; it's military SF that's a lot more like stuff I remember reading as a kid. I keep hearing that no one reads science fiction anymore. I don't think that's true. I do think there's a difference between science fiction aimed at people who have followed the genre's evolution since the 1950s or whatever, and those who want to be entertained by a good story that involves spaceships without having to retake AP physics first (though of course, if you took AP physics the first time around, understanding the science is probably not your biggest problem with the SF genre).

Third Culture Kids in fantasy

I love books release days! The Serpent Sea, the second in the Books of the Raksura series, came out this week. Since I don't want to miss a single detail, reference, or allusion in it, I'm rereading the first one, making it the perfect time to write a couple of blog posts about this amazing book.

The Cloud Roads by Martha Wells

Genre Fantasy

How it starts Moon is kicked out of yet another community for being different. This time, his former neighbors poison him and stake him out for the wild animals. Moon is snatched up by a creature he's certain had tried to eat him earlier that day.


General premise Moon's learned the hard way not to trust anyone. In his flying form, he looks too much like the Fell, who destroy cities and eat their inhabitants. Stone is the first person he's met who looks like him, can answer all his questions about himself, and truly wants him around. Intrigued, he agrees to move to Stone's settlement. But looking like his kind doesn't mean Moon fits in. He doesn't know the things he should, doesn't do the things they do or like what they like. Worse, Stone led him to believe he was a warrior-type, but Moon finds out in an epic showdown that he's actually a consort. The reigning queen hates him for tipping the balance of power in her young rival's favor, and the challenger keeps leaving gifts for him that he's afraid will mean he owes her something it will cost him too much to repay. Moon isn't interested in power struggles - he has enough problems of his own. But the Fell intrude on his new life, too, and fighting them is the only option.

Third Culture Kid

I'm going to leave the spectacular world-building for another post and concentrate on Moon. Moon is pretty much a Third Culture Kid, illustrated in the dramatic way only fantasy fiction can do. Briefly, a TCK is someone who grew up either in a culture different from that of their parents, or in several different cultures. Missionary kids. Military kids. Kids of business expatriates. Kids of first generation immigrants. TCKs tend to be a product of several cultures, and therefore don't fully belong in any.

That's bad enough, but Moon has it worse than most TCKs. He's completely alone, and has been since childhood, when his family was killed. No matter where he goes, he's always a foreigner who looks like the enemy. Every time he thinks he's finally found people who accept him, they do something that reminds him they will always look at him and see someone "different".

It's particularly poignant when Moon finally finds someone who can mentor him. Someone like the father he's never known, like the mother he lost. (I love mentor characters, BTW. There just aren't enough fictional characters like Allanon of the Shannara books, or Moiraine of Robert Jordan's WoT series. Someone who can answer all your questions, guide you so you don't go too far in the wrong direction, and always be on your side? Sign me up!) Of course, Stone turns out not to be perfect, but that tends to be the way that goes.

Other stories where people definitely don't belong:

Wolfblade by Jennifer Fallon
Genre: fantasy

Okay, I don't think Elezaar is the protagonist in this story, but he's definitely someone who always stands out as a target. Elezaar is a dwarf (not the mythical fantasy being normally found in books that also include elves, orcs, and wizards; I believe he's actually a "little person" of the physically disproportionate variety). He's also a slave who witnessed a political assassination, and needs protection, fast.

The protagonist is young Marla Wolfblade, who is being married off to seal a treaty. In keeping with their culture, she goes to choose a courtesan who will, um, train her so she knows what she's doing (and no, I don't think there are any sex scenes in the book). Rather than go for the hot guy with the vacant expression, she chooses Elezaar, because he convinces her he's the only one interested in helping her navigate the political morass she's about to be thrown into. This is the first of about a million times Marla shocks everyone by doing the one thing no one anticipates.

On a complete aside, I LOVE the names in this series. I normally take no notice of names at all. I can love a book, read it six times, and a week later not be able to tell you any of the characters' names (though I can describe the plot in detail and tell you everything I loved about the personalities). But the names of the powerful houses were just so epically awesome. Hawksword. Eaglespike. Ravenspear. Foxtalon. Krakenshield. I love you for using these names, Jennifer Fallon. Seriously.

Lord of the White Hell by Ginn Hale
Genre: fantasy

Kiram is a mechanist prodigy, and the first of his people admitted to the prestigious Sagrada academy. Because he's not a native, he's bullied and ostracized, and also forced to room with a popular guy everyone else is afraid to sleep near - Javier Tornesal, whose family is powerful and rich, but cursed. Kiram is instantly attracted to Javier, and Javier seems to return the sentiment. But the relationship, acceptable in Kiram's land, is forbidden in Javier's, and it could get them killed - if the White Hell doesn't kill them first.

It's been a while since I read this, but I really, really liked it. Stellar world-building, danger, adventure and forbidden love. And of course, not belonging.

Mission Impossible: Ghost Protocol

Short version: I liked it. I don't actually remember the other Mission Impossible movies, so it's hard to compare. I'm assuming that means I liked this one best.

The mission was interesting enough. When their early plan to infiltrate the Kremlin goes terribly, terribly wrong and results in the shut-down of the IMF, the team has to carry out their main mission without backup. So all the spy gadgets I remember from past Mission Impossible movies aren't used here in quite the same way, or malfunction at the least convenient moments. Salt with Angelina Jolie (which did so many things right in its portrayal of an action-movie woman that I'm still amazed it got made) also started a great movement - women in action movies no longer have to run in heels. When someone takes off their stilletos before kicking your ass, you know they mean business.

Dubai was cool in Ghost Protocol (especially an epic dust storm that, oddly enough, brought me some moments of nostalgia), but the Indian scenes were colorful and swirly and awesome. I'm always heart-swooningly happy to see non-European countries featured in movies as places that aren't all about squalor and bloodlust.

A highlight for me was the BMW i8 Concept. I don't remember who drove it. I don't think it was part of a car chase. I do remember gasping and clutching at my chest, and angels playing harps up in the theater rafters. I love concept cars. It's like bringing chrome-and-glass science fiction to life. I'm assuming the version of this plug-in diesel hybrid that makes its way across the Atlantic will be very different. I sure would love to see this version at a car show, though.

The movie is worth seeing for the BMW alone, but I really think the story progression was entertaining. Mission Impossible: Ghost Protocol won't change your life (probably), but maybe action movies are taking a turn for the better, after hitting rock bottom with a certain 3-film action-movie franchise which also strongly features cars. I will confess that, since I went to see those other movies despite knowing the story would suck, I am indeed part of the problem.

Random books: All British for Christmas week

Oops. I was going to post a version of this on Christmas eve, but life got in the way. I hope everyone spent Christmas (or the holiday season) the way they wanted to spend it, with the people they wanted to be with.

Books! More specifically, British books!

The Atheist's Guide to Christmas by Ariane Sherine
Genre: nonfiction

We read this collection for one of my book clubs. Many (if not most) of the comedians, philosophers, scientists, and authors who wrote chapters for it are English. Some entries are stellar, some I just skipped because I was falling asleep. As one would expect with any semi-random group, the authors are split about half and half between those who enjoy Christmas and those who don't.

My favorite chapter is "How To Escape From Christmas" by Andrew Mueller. People trying to opt out of Christmas dinners/shopping/decorating/craziness are usually either dismissed as Scrooges or immediately invited to the house of everyone with an extra chair, which means instead of guiltlessly sitting by the fire at home, you now have to delicately make your excuses, or lie to your thoughtful friends.

I LOVE Mueller's suggestion for getting out of this predictable discomfort - get on a plane late on December 24th that will be refueling in some conveniently non-Christian spot, and arrive in Australia on December 26th for beaches and sunshine. I think I'll try this next year.

The Complete Sherlock Holmes by Arthur Conan Doyle
Genre: historical fiction/suspense

This one's going to take a while. And while it still has the big issue I can't ignore (solving everything using clues not mentioned before), it turns out Sherlock isn't boring at all. I'm really entertained by the character-in-print in a way I'm not by the popular-culture version of him.

For one thing, he doesn't instantly know everything. He doesn't know the earth orbits the sun, for instance, because the information is of absolutely no use to him. And once Watson told him, he resolved to instantly forget it, because "Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones." (A Study In Scarlet, Page 21). Specialization, folks. Sherlock said it first-ish.

I must admit I'm slogging through a WTF section right now about the misdeeds of a particular Mormon sect. But I'm hoping it'll eventually make its way back to 19th century London.

Unraveled by Courtney Milan
Genre: historical romance

Courtney Milan is my favorite romance author (I believe she's American; her characters are English, hence the inclusion in this post). I don't say that lightly, because the Romance genre is teeming with great writers who are routinely dismissed because they are often women who write about romance (men who write romance but call it something else, like Nicholas Sparks, get glowing reviews, accolades, and movies based on their books). Milan is not only an expert in Georgian/Regency/Victorian-era English law and law court decisions (and is (or was once) a lawyer in her day job), but she writes the most intriguing characters working through gut-twisting situations.

For instance! Unraveled is part of a series about three brothers. Their deranged mother abused them relentlessly. They couldn't go to anyone for help because their mother was the respected widow of the local lord, and very charitable, besides. She let their sister die because it was "God's will". She named them each for Bible verses. Not Biblical characters. VERSES. Of course they all go by shortened versions - Ash, Smite, and Mark.

When Ash takes off for India to make his fortune, their mother tries to kill Smite by starving him in the flooded cellar. Mark rescues him, and they run off, surviving on the streets of Bristol before their brother comes back and finds them. Ash is rich now, and determined to give his younger brothers everything he wanted and didn't have - an education at Eton, big houses, power. But Smite and Mark have now formed a bond that seems to exclude Ash, no matter what he tries. This is all backstory, but just think of what a skillful writer could do with characters with this sort of psychological damage.

Ash's story is Unveiled. He's set himself a mission to destroy the wealthy distant relation who refused to help them when they were in need. His love interest? The daughter of that family, who is equally determined to save her family from social and financial destruction.

Mark's story is Unclaimed. Mark is a sincere, funny, likeable guy who writes a hugely popular book on chastity. His love interest? A courtesan who's been hired by a political rival to take him down.

Smite's story is Unraveled. He is a dedicated magistrate. His love interest is a runner for the local crime boss.

Which brings me back to what I think is the oddest criticism made of romance novels. I don't hear complaints of fantasy for being stories where the hero always fulfills the quest. No one criticizes the police or detectives in suspense thrillers for always catching the bad guy. Why is the idea that two people are going to end up together at the end of the story so unpalatable? The question in genre stories is almost never If. It's How. And Courtney Milan is a master at the how. LOVE these books. Fiction doesn't get any better than this.

Kate: the Making of a Princess by Claudia Joseph
Genre: biography

Thirty pages in I was a little worried, because all I'd gotten was a detailed account of all her relatives who had suffered horrifying deaths in 19th century coal mines. But I'm in the WWII era now. It's a fascinating part of British history that's sobering and humanizing to me, because I tend to think of Britain as historically wreaking havoc on the rest of the world.

And that's last week's post!